Tuesday, 3 October 2017
Tuesday, 12 September 2017
Tuesday, 23 May 2017
The last chapter of the first draft of The Fairground Booth is now being completed which will be the basis of the book. Why is this important. It is important becuase once the book is finsished and published a script will be adapted to make a film about Blok Meyerhold and The play "The Fairground Booth" This film is actually being edited already even though all the material has not been shot and the script is only part finished. Having said that, good progress has been made on this project and both the film and the book will make a significant contributiuon to The Russian Theatre Film Series.
This series consists of 3 films: Meyerhold Theatre and the Russian Avant-garde, Stanislavsky and the Russian Avant-garde and Vakhtangov and the Russian Avant-garde Also included in the series is the book Michael Craig and the Russian Theatre Film Series
I have decided to use the Copernicus Films site now as the main hub of all the material connected with my work. I have been using a blog (which I will continue to maintain) but this will be the centre where everything gets published and all the news is distributed and all the other sites I have will connect to this site. anything published on another site will end up here.
Tuesday, 2 May 2017
Journey to Ogasawara
Encounters with the Russian Avant-garde
The Russian Theatre Film Series
Sunday, 30 April 2017
Closed captions is something that defeated me in getting my films ready and published on Amazon Video Direct. I use an Amazon company called Create Space to market my films on DVD and the Internet. Now DVDs are becoming more difficult to sell on the internet and downloaded films are becoming more important. In 2016 all my films (all eight of them) were migrated to The Amazon Direct Video Service so that they could only be downloaded and sold directly through Amazon. The criteria for publishing is quite specific and somewhat strict. One of the criteria are closed captions for the those whose hearing is impaired or are deaf. Closed captions are like sub titles.
Closed captioning (CC) and subtitling are both processes of displaying text on a television, video screen, or other visual display to provide additional or interpretive information. Both are typically used as a transcription of the audio portion of a program as it occurs (either verbatim or in edited form), sometimes including descriptions of non-speech elements.
This can be quite tricky but there is a way of doing it which can minimise the pain. Most non linear video editing programmed have a closed captioning facility. Go into the closed captioning facility and add the captions according to where the dialogue or text is located in the film. Once you have finished you render your film to which ever format you want and then save and export a srt. file which stored the textual data which can be used and matched by amazon when it is upload to your dashboard on Amazon Video Direct.
The editing programme I use is Vegas Video Pro. The process is as follows. Find the point in the timeline you wish to insert text into. Click on Insert and then command and the menu comes up. In the command box chose 608CC1. Then type your text in the comment box and press OK. Then repeat for all the other text you wish to insert as a closed caption. Rememeber also to change the Timecode format to Time and Frames.
To export the srt. film click on tools, scripting and chose export closed captioning for Youtube option
The process is different for Adobe Premier and other programmes but the priciples are similar.
Monday, 17 April 2017
Also it is a commentary on what it means to make an independent arts documentary film series in a foreign country namely Russia. Not so much from the technical point of view although there is plenty of technical aspects covered but more from the point of view of a kind of interior process. It is an expedition into the phenomenology of film-making, what obstacles have to be overcome, both physical and technically but more importantly some of the lived experience of film-making. For some people making independent films is a way of life in the same way that for others theatre is a way of life or acting is a way of life or painting or whatever is a way of life. You can't live without it or outside it. The fact that you have to spend a year or two of your life on each film means that it is a life decision. So it has an existential element and this quality of film-making is explored in the book. How the series came about, what were the thought processes involved in the development of the series, which influenced the series overall - who helped who didn't, why things went wrong and why they went right. The book is a staging post on the way to further developments clearing the ground before moving forward to the next phase - a book about The Fairground Booth plus a film on this subject.
Thursday, 10 December 2015
As always when a large project gets finished there is the inevitable feeling of disappointment and wanting to fill that vacuum with another book or project or a film. There is plenty to do and plenty to be getting on with and really I should not rest on my laurels. However it will take a bit of time to change gears and shift into another project.