Thursday, 10 December 2015

Publication of "Encounters with the Russian Avant-garde"



Finally we can announce the publication of the book Encounters with the Russian Avant-garde which is now available on Amazon for purchase or download. Encounters with the Russian Avant-garde complements the series of six films made by Michael Craig and Copernicus Films about the Russian Avant-garde of the 1920s and 30s. It is not only an account or explanation but also an introduction or to be more specific an "encounter" with this exciting phenomenon. The title reflects an active relationship: firstly through the experience of living in Moscow for many years, plus a direct encounter with the buildings, the architecture and the very territory in which much of the avant-garde arose and to some extent still exists. Encounter suggests something more casual, unexpected and unstructured but also a sense of living in the avant-garde and being part of it. After all it was the intention of the Russian Avant-garde to connect with the real lived world and to ‘take art out of the galleries and onto the streets and squares of Moscow'

As always when a large project gets finished there is the inevitable feeling of disappointment and wanting to fill that vacuum with another book or project or a film. There is plenty to do and plenty to be getting on with and really I should not rest on my laurels. However it will take a bit of time to change gears and shift into another project.

Saturday, 1 August 2015

Copernicus Films, Michael Craig and The Fairground Booth


Since Copernicus Films finished Vakhtangov and the Russian Theatre development has been going ahead on the next part of the Russian Theatre Documentary Film series. A script for a new documentary about Blok and Meyerhold's The Fairground Booth is in a process of writing and rewriting. As well as this film work is taking place with regard to a film version of the play itself. The set design has been ascertained and is being painstakingly designed. This is a big question and will require a great deal of attention but at least the process is underway. The next big question will be the costumes - the design and the over all look as well as how to find the actors who will play the various roles. its a long process and cannot be rushed. There are various other ancillary elements to this series which are also being developed in parallel to the project and hopefully will make up a significant component of The Russian Theatre documentary Film Series but all the work being done in this are is in its early stages. Therefore it seems premature to make any announcements. 
Its worth saying that this series will be made up of five films (possibly more with time - discussions are ongoing with interested parties). The films will include Meyerhold Theatre and the Russian Avant-gardeStanislavsky and the Russian TheatreVakhtangov and the Russian Theatre (all three of which have been completed and released) plus Meyerhold, Blok and The Fairground Booth(documentary)  and The Fairground Booth (film). announcements will be made as each stage of the project progresses. For fuller and more regular updates check Michael Craig's blog or here for more specific updates and related information.

Thursday, 7 May 2015

Vakhtangov Study Day – Rose Bruford College

Vakhtangov Study Day at the  Rose Bruford College – Film. Hosted by The Stanislavski Centre.

Guest Speaker Andrei Maleav Babel with the participation of  Graham Dixon 
The Vakhtangov Study day which took place in 2014 took place at the Rose Bruford College of Theatre and performance organised by The Stanislavski Centre with guest speaker Andrei Malaev-Babel, and Graham Dixon. The film Vakhtangov and the Russian Theatre was also premiered at the event.
Books by Andrei Maleav-Babel about Vakhtangov:
BabelThe Vahktangov Sourcebook is a rich and extensive source of information and analysis of the central principles of Vakhtangov’s  work and compiles new translations of his key writings on the art of theatre, making it the primary source of first hand material on this master of theatre in the English speaking world. For more information click on this link or click on the thumbnail.


downloadRanging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait:
For more information click on this link or click on the thumbnail.
  • considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men;
  • reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel’s National Theatre) as well as the Vakhtangov Studio, the institution he established;
  • examines in detail his three final directorial masterpieces, Erick XIVThe Dybbukand Princess Turandot.
 Graham Dixon and the Michael Chekhov Studio London:
Man Image.tif i Copy Copy CopyThe Chekhov Studio. Graham Dixon  started the Michael Chekhov Studio in 2003 as a means to give actors and directors living in London an opportunity to access and explore Michael Chekhov’s unique approach to the art of acting. Click on the thumbnail or the link above for more information about his work.


The Stanislavski Centre.
stanislavski-portraitThe Stanislavski Centre . The Stanislavski Centre at Rose Bruford College of Theatre and Performance is a unique initiative within the UK to create a home for both academic research and practice/performance events based upon the work of Konstantin Stanislavski. The Centre, which is located within the college’s Learning Resources Centre, houses a core collection of books and other printed material (mostly in the Russian language), a photographic archive of more than 200 images and a small collection of material on video and DVD.

Michael Craig,  Copernicus Films.
Vakhtangov 2Michael Craig and Copernicus Films completed a film about Vakhtangov “Vakhtangov and the Russian Theatre” which was also premiered at the Vakhtangov Study day. Vakhtangov eventually became one of the foremost directors of the Russian theatre in the early twentieth century until his early death in 1922 at the age of 39. Talented and enigmatic, his great achievement was the the synthesis of Stanislavsky’s theories of acting and realism and Meyerhold’s studied theatrically. This film by Michael Craig is the third in the series about Russian theatre in the early 20th century. Click here for more information about this film.